Call For Proposals: Advancing Feminist Poetics and Activism: A Gathering at CUNY Graduate Center, Fall 2009
In celebration of its tenth year, Belladonna will join with The CUNY Graduate Center’s Women’s Studies Certificate Program, Center for Research on Women and Society, Center for Humanities, Poetics Group, and English Department to present a conference aimed at advancing and broadcasting the life of Feminist Avant-Garde Poetics and Activism Today. The conference will take place at the CUNY Graduate Center on September 24 and 25, 2009.
Our goals for this conference are the following:
1) To support the study of the Feminist Avant-Garde
2) To encourage collaboration between radical feminist artists/thinkers/activists.
3) To provide a space to think about relevant activism in these times, in this place.
We at Belladonna are particularly interested in what’s immediate, present and happening now. We would like this call to encourage conversations and new designs for work between genres, into activist communities, and among academic and non-academic discourse. We are looking for evolving modes of knowing and acting and resisting.
Papers and presentations might focus on (but are not limited to) the following topics:
Collaborations between poets and artists, poets and dancers, poetry theater, poets and scientists (or science), between teachers and students, between poets and community activists.
Critical consideration of women writers who for whatever reason have not yet received it–we welcome non-traditional and cross-genre approaches. Race, Gender, Class: Working within and across affinities.
AgitProp that incorporates poetic thinking and expression.
Calls for Action. Organizing sessions.
Send panel proposals and/or paper abstracts (350 words maximum, or send a dvd of performance/visual /sound work) to belladonnaseries@gmail.com by January 15, 2009. As we proceed a web page will become available at belladonnaseries.org.
** Founded as a reading series at a women’s radical bookstore in 1999, Belladonna is a feminist avant-garde event (Belladonna Series) and publication project (Belladonna Books) that promotes the work of women writers who are adventurous, politically involved, multi-form, multicultural, multi-gendered, unpredictable, dangerous with language (to the death machinery). In its nine year history, Belladonna* has featured over 150 experimental and hybrid writers. The curators promote work that is explicitly innovative, connects with other art forms, and is political/critical in content.
* deadly nightshade, a cardiac and respiratory stimulant, having purplish-red flowers and black berries.
Teresa K. Miller, Taylor Brady, and Susan Gevirtz at Canessa
Please join us for the next edition of the Canessa Gallery Reading Series, December 6, 8pm, featuring the works of Teresa K. Miller, Taylor Brady, and Susan Gervirtz.
More info below . . .
CANESSA GALLERY READING SERIES
curated by erica lewis
December 6, 2008
Featuring the works of Teresa K. Miller, Taylor Brady, and Susan Gervirtz
WHAT:
When is a poem more than the sum of its parts? Teresa K. Miller, Taylor Brady, and Susan Gervirtz piece the “fragments” together in this sixth installment of the Canessa Gallery Reading Series.
Teresa K. Miller is the author of Forever No Lo (Tarpaulin Sky Press, 2008). Her work has appeared or is forthcoming in ZYZZYVA, Word For/Word, DIAGRAM, Tarpaulin Sky, MiPOesias, Coconut, Shampoo, Cricket Online Review, and others. Originally from Seattle, she currently teaches in Oakland.
Taylor Brady is active in the Nonsite Collective (www.nonsitecollective.org), and is the author of books including Yesterday’s News, Occupational Treatment, and Snow Sensitive Skin, co-authored with Rob Halpern.
Susan Gevirtz’s books include Aerodrome Orion & Starry Messenger, forthcoming from Kelsey Street; Broadcast; THRALL; Omatic & After St. John; Hourglass Transcripts; Spelt, a collaboration with Myung Mi Kim; Black Box Cutaway, PROSTHESIS : : CAESAREA; Taken Place; Linen minus; Domino: point of entry; Korean and Milkhouse; and the critical study Narrative’s Journey: The Fiction and Film Writing of Dorothy Richardson. Her many essays have appeared in literary magazines and scholarly journals. An Assistant Professor for 10 years at Sonoma State University, she now teaches in the MFA in Poetry program at Mills College. With Greek poet Siarita Kouka she runs The Paros Symposium, an annual meeting of poets and translators from Greece and the U.S.
WHEN:
Saturday, December 6, 8pm
WHERE:
Canessa Gallery
708 Montgomery Street, SF
TICKETS:
Open to the public ($3 at the door). For more information,
visit www.canessa.org or canessagalleryreadingseries.blogspot.com

